介绍：疫情时期特别录制、伦敦西区2020年全新复排版契诃夫名作《万尼亚舅舅》在结束演出后，又重回哈罗德·品特剧院录制了这一五星作品在全球大部分剧院仍处于黑暗之中时，给人们带来一剂警醒的力量和希望。被《旗帜晚报》誉为“我们时代的‘万尼亚舅舅’”。此版复排由奥利弗奖得主、出演过《美国队长》《控方证人》等剧的托比·琼斯，和因《霍比特人》《南方与北方》走红的理查德·阿米蒂奇领衔主演，录制版本还邀请到两度奥利弗奖得主罗杰·阿拉姆加盟，卡司阵容十分抢眼。剧本由康纳·麦克弗森全新改编，著名导演伊恩·里克森再度操刀，献上一部"完美"“尖刻”“精彩绝伦”的复排，获得包括最佳话剧男演员、最佳导演在内的四项奥利弗奖提名。契诃夫名作《万尼亚舅舅》讲的是精神信仰的幻灭，从另一个角度看蕴含着重建的希望：万尼亚舅舅和他的外甥女索尼娅常年住在乡下庄园，只有医生阿斯特罗夫偶尔来访。万尼亚舅舅日复一日庄园劳作、翻译著述和誊写稿子，都是为了索尼娅的父亲、他的姐夫谢列勃里雅科夫教授。对教授的崇拜，支撑了万尼亚舅舅半生辛苦的价值，然而教授带着新婚的年轻妻子回到庄园时，一切秩序和幻想都被打破了……

介绍：巴黎《查理周刊》袭击三天后，也是父亲去世40天，拉里，四十岁的医学博士要在周六参加一次家庭聚会，共同纪念亡者。然而，事情的展开却与预料中不同。被迫面对恐惧与过去，而不得不重新审视自己在家庭中的位置，他开始讲述自己那部分真相

介绍：Ajo Kawir is a fighter who fears nothing, not even death. His raging urge to fight is driven by a secret: his impotence. When he crosses paths with a tough female fighter named Iteung, Ajo gets beaten black and blue, but he also falls head over heels in love. Will Ajo’s path lead him to a happy life with Iteung, and, eventually, his own peace of mind

介绍：米歇尔·菲佛、卢卡斯·赫奇斯、崔西·莱茨将出演超现实主义喜剧片[法国出口](French Exit，暂译)。阿扎泽·雅各布斯将执导这部改编自帕特里克·德维特小说的电影。菲佛饰演60岁的曼哈顿社交名媛弗朗西丝·普莱斯，赫奇斯饰演她没有方向的儿子马尔科姆，莱茨饰演她已故多年的丈夫富兰克林的化身——一只家猫

介绍：A brief trip back home turns into a longer stay when Eric finds himself caught between catching up with his two sisters and conquering his old poker group. The more Eric extends his visit to prove that he is still the best poker player in town, the harder it becomes to steer clear of the old fault lines in his relationship with his sister Rachel. As their little sister Maggie attempts to recreate the intimate world they once shared, Eric and Rachel are faced with the divide between their childhood selves and the adults they have now become.                                                                    Displaying all the sensitivity and wicked humour of his previous works, Dustin Guy Defa’s new film is a shrewd study of the pitiless condition known as adulthood. After growing up in a family unit that constitutes your whole world, with its particular set of habits and a shared language, crossing the border into the realm of adults can feel disempowering, even terrifying. A sense of loss may be difficult to ever really overcome. The film’s meticulous structure and novelistic depth lay bare this fundamental fear, but also the resources that exist to fight it. Setting about this treasure hunt deep within as individuals and as a family is an admirable trio of actors whose interpretation is as nuanced as it is poignant.