介绍：约翰·霍迪亚克饰演的移民局探员到哈瓦那追查一个帮人偷渡的高智商犯罪集团，不料遇上难民身份并极力想偷渡到美国的海蒂·拉玛，被她的原力所打动，无法自拔立马沦陷如此，案子也不侦破了，放着移民局官员的待遇、养老金等不顾，还想辞职不干，打算跟海蒂·拉玛就这么呆在风光旖旎的哈瓦那了却余生，期望无限美好却给犯罪集团头目打乱，因为头目也深深地迷恋上海蒂·拉玛，孽缘般三角恋就此展开。导演约瑟夫·刘易斯绝对尽心尽力地拍完此片，快到片尾的那段一镜到底的航拍可见他的用心良苦！而全片大堆哈瓦那的实景拍摄，在老旧的黑白镜头下，依然唯美且真实。（甜蜜字幕组）

介绍：故事发生在堪萨斯州的南部小城中，巴德（沃伦·比蒂 Warren Beatty 饰）是一个满脑子都是奇思妙想的高中生，一次偶然中，他邂逅了名为蒂尼（娜塔利·伍德 Natalie Wood 饰）的女孩蒂尼的美丽和温柔深深的吸引着巴德，令他坠入了情网，巴德甚至在内心里暗暗的 发誓，此生一定要将蒂尼娶回家。　　然而，在民风保守的小镇上，这两个年轻人之间的恋情很快就遭到了双方家人的强烈反对，他们都对这两颗真挚的心嗤之以鼻。在一连串的波折和打击之下，自暴自弃的巴德竟然和蒂尼的同学（奥黛丽·克里斯蒂 Audrey Christie 饰）上了床。得知了此消息，蒂尼的精神崩溃了。

介绍：A young boy becomes trapped inside America's rigid immigration process. Feature adaptation of the 2016 short film, 'Icebox'.

介绍：Walter Neff（弗莱德·麦克莫瑞 Fred MacMurray 饰）是一个成功的保险代理人，他在夜里回到办公室，开始在一个录音机上诉说他的故事......　　Neff为了取得Dietrichson先生的保险代理权，来到了他的家中，Dietrichson先生不在，Neff遇到了Dietrichson先生的新妻子Phyllis Dietrichson（芭芭拉·斯坦威克 Barbara Stanwyck 饰）美丽的Phyllis让Neff感到不自然，而她也开始说起她的丈夫的诸多不好之处。在第二次拜访中，Neff终于控制不住自己的欲望，愿意参与Phyllis的杀夫计划。Neff计划在Dietrichson先生坐火车的时候制造他失足摔下的假象，以骗取“双重保险”。一切进行的非常顺利，Dietrichson先生死掉了，Neff和Phyllis两人的爱情和金钱似乎都有了保障。然而，Neff的好友保险调查员Barton Keyes （爱德华·罗宾逊 Edward G. Robinson 饰）却觉得事有蹊跷，开始调查整个事件......　　本片改编自James M. Cain于1943年出版的同名小说，由导演比利·怀尔德和侦探小说作家雷蒙德·钱德勒共同编剧，获第17届奥斯卡最佳影片等7项提名。

介绍：Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.　　Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)　　As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisonerpenitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone (I'm a mechanic), yet the symbolism is rich he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.　　The scene between Josh and Jane (a wonderful, young Edie Falco . . . You need a woman not a girl) is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly arty and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual am notare too argument).　　Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the unbelievable truth of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.