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全部共50个相关视频8/10

下地狱向左转已完结

标签:喜剧 

导演:Carlo,Caldana

主演:Solana,Paz,Cristina,Anselmo,Keith,Jefferds,Carlo,Caldana,Garth,Petal,Daria,Bauer,Dan,Lipsher,Jim,Fye,Fabien,Ferhani,Marilyn,Hughes,Charles,Lewis,III,Ross,Turner,Wes,Chick,Corey,Seaver

介绍:一位名叫奧義夫的聾啞畫家陷入戒酒及亡妻之痛,當他偷偷溜到一個私人招待會上為他的經紀人扮演間諜時,發現了一位與他已故妻子艾蜜莉有著驚人相似之處的客人,他試圖找出對方是誰的同時,也陷入了一場誤會、錯誤的身份和婚姻陰謀的旋風中  其他人也看了

外出就餐3:饕餮自助已完结

标签:喜剧 爱情 同性 

导演:葛伦·盖洛

主演:利百加·科汉,克里斯·萨尔瓦多,迈克尔E.R.沃克,敏科·斯荳,莱斯利·乔丹,素玛立·蒙塔诺,丹尼尔·史柯顿,Julia,Cho,John,Stallings,Maximiliano,Torandell,Cristina,Balmores,Rick,D'Agostino,塔比瑟·泰勒,Greg,McKeon,Ryan,Adames

介绍:著名同志喜剧“外出就餐”已成为像“美国派”一样的品牌系列本集主角是眼睛大大的男生凯西(丹尼尔·斯凯尔顿 Daniel Skelton 饰)。他刚搬来小城,和前两集的放荡同人女蒂凡尼(丽贝卡·科芡 Rebekah Kochan 饰)一见如故,被后者哄去同志社区中心做志愿者。在那里他遇到了型男扎克(克里斯·萨尔瓦托 Chris Salvatore 饰)。凯西觉得自己不会是扎克喜欢的类型,但芳心难奈下决定网聊搭讪,而蒂凡尼慷慨的出借前男友——脱衣猛男莱恩(迈克尔E.R.沃克 Michael E.R. Walker 饰)的照片和档案。凯西顺利的让扎克爱上了这个拥有虚假外表的自己,但他没有意识到真正打动扎克的是他的兴趣和梦想。莱恩的意外回归将所有谎言踢爆,凯西想挽回扎克对他的感觉,于是毅然报名参加同志社区的慈善义卖......

马特和玛拉HD

标签:剧情 

导演:卡奇克·拉德万斯基

主演:黛拉格·坎贝尔,马特·约翰逊,西蒙·雷诺兹,Georgia,Tannis,Jim,Phu,Alejandra,Zapico,Cristina,Paoletta,Kinshuk,Dhingra,Linda,Theresa,Young,Jack,Nguyen

介绍:Mara (Campbell), a young professor struggling through marriage, only to meet Matt (Johnson), a man from her past who wanders onto her university campus.

木马屠城记[电影解说]电影解说

标签:电影解说 

导演:罗伯特·怀斯

主演:罗桑娜·珀德斯塔,贾可·塞纳斯,塞德里克·哈德威克,斯坦利·贝克,尼尔·麦吉尼斯,诺拉·斯温伯恩,罗伯特·道格拉斯,托林·撒切尔,哈里·安德鲁斯,简妮特·斯科特,罗纳德·刘易斯,碧姬·芭铎,爱德华多·钱内利,马克·劳伦斯,马克斯韦尔·里德,罗伯特·布朗,特伦斯·朗登,Patricia,Marmont,Guido,Notari,托尼奥·塞拉沃特,George,Zoritch,埃斯蒙德·奈特,Cristina,Fantoni,里卡尔多·加罗内,Tessa,Prendergast,Maria,Zanoli

介绍:巴利斯(贾可·塞纳斯 Jacques Sernas 饰)是特洛伊城的王子,一次偶然中,他邂逅了美丽的海伦(罗桑娜·珀德斯塔 Rossana Podestà 饰),突破了重重的障碍和阻力,巴里斯最终将海伦带回了特洛伊城  哪知道,海伦的真实身份,竟然是斯巴达国王(尼尔·麦吉尼斯 Niall MacGinnis 饰)的宠妃,为了夺回心爱的女人,斯巴达国王向特洛伊城发起了进攻。英勇的希腊士兵如同潮水一般的涌入了特洛伊城,却遭遇了顽强的抵抗,最终大军无功而返。正在庆祝胜利的特洛伊人们并没有注意到,在撤退之时,希腊人留下了一匹大得有些离谱的木马。

奈斯尔之塔[电影解说]电影解说

标签:电影解说 

导演:阿贝尔·冈斯

主演:皮埃尔·布拉瑟,西尔瓦娜·潘帕尼尼,保罗·盖尔,雅克·图亚,Marcel,Raine,Constant,Rémy,莉娅·迪·雷奥,Cristina,Grado,Jacques,Mafioli,Rivers,Cadet,Hugues,Wanner,保罗·德曼格,克洛德·西尔万

介绍:Paris, 1315. The Tour de Nesle, a guard tower on the banks of the Seine, has become a symbol of mystery and fear. Each morning, at its base, the bodies of handsome young aristocrats are found floating in the river, all butchered by sword or arrow. One evening, two noblemen, Buridan and Philippe d'Aulnay, find themselves in the infamous tower, lured there on the expectation of a night of unbridled passion. Little do they realise that they are to be the next victims of a woman who is determined to take revenge against all men - Margaret of Burgundy, the present Queen of France. Although Philippe is killed, Buridan escapes, and intends to blackmail the Queen. Unless she makes him her prime minister, he will expose her crimes to Philippe's brother and her husband, King Louis X. When she moves to eliminate Burdan, Margaret makes a terrible discovery...  In the twilight years of his long and pretty uneven career, the great avant-garde film director Abel Gance made a number of films which, whilst not as grand and artistically inspired as his early silent masterpieces (La Roue (1923), Napoléon (1927)), still compared very favourably with the work of his contemporaries.  Of these, La Tour de Nesle is a film that still stands up remarkably well today - an ambitious historical drama based on the famous 1832 play by Alexandre Dumas. It makes a nice companion piece to Gance's subsequent historical romp, Cyrano et d'Artagnan (1964).    Needless to say, the film isn't to be commended on its historical accuracy. As any historian will tell you, the Alexandre Dumas version of French history is wildly fanciful, to say the least. However, this doesn't prevent La Tour de Nesle from being an entertaining and, at times, highly poignant, piece of cinema.  Whilst the characterisation and dialogue leave much to be desired, the plot (a murky tale of cruel revenge and political intrigue) is gripping, and the film's artistic design is exceptional for a film of this period. Gance brings a strangely expressionistic touch to his use of colour and shade, something which adds to the darkly sinister nature of the plot, whilst imbuing the film with a striking sense of historical realism. A propos, Gance's assistant director Nelly Kaplan makes her screen début in a small role, shortly before she herself embarked on a successful film making career.

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