介绍：While the hot rodders and motorcyclists are having a rock-and-roll beach party, a barrel of radioactive material is unloaded from a passing ship, plunges to the bottom and splits against a jagged rock. A black liquid oozes out and covers a shapeless mass on the ocean floor, which suddenly moves and becomes an encrusted vicious monster. Soon there are several monsters and they must have human blood to survive. Tina is the first victim, and football hero Hank Green and airhead Elaine Gavin enlist the aid of her science-professor father, Dr. Gavin, to solve and capture the killer. Not working fast enough to prevent the attack on twenty teen-agers at a slumber party nor the killing of three girl motorists, Dr. Gavin finds an arm lost by one of the monsters and discovers that only sodium will destroy the monsters whose composition is mostly water. Can they gather enough salt in southern California to put an end to this horror

介绍：三个朋友做了一个网络系列节目，他们发现他们的邻居其实已经被杀了，只是被其它生物完美复制了而已

介绍：一场灾难降临，大多数的人类被丧尸病毒吞噬，人类在变成丧尸的早期会残损人性与部分记忆恩泽在独自前往×中学寻找疫苗时意外发现了丧尸女孩小希，善良而美丽的小希让恩泽不忍下手。恩泽在小希的帮助下，发现疫苗实验室早已被丧尸组织控制着，在与丧尸组织的较量中，他渐落下风险被围杀最终被一对丧尸gay救下。重回人类世界的小希和恩泽经历了万千磨难与生死离别，最终恩泽为救小希中枪变成丧尸。在最后较量中，恩泽终难敌丧尸组织头目萧震，生死间隙，小希用神秘力量拯救了恩泽也暂时唤醒了丧尸……二人冲向疫苗实验室时，却发现疫苗意外全部被打碎……在丧尸闪回部分记忆和人性后，他们用全部的力量完全了疫苗的最后研制……人类社会回复正常，一切罪恶都将被宽恕。

介绍：柯克·道格拉斯是美国政府的高阶特务，他跑到中东视察一个研究超感应能力的计划，其中有其子安德鲁·史提芬斯在内不料他的同僚约翰·卡萨维兹竟偷偷雇用恐怖分子对研究中心突袭，以为将柯克杀死，从此拥有安德鲁等一群具有超能力的青少年为他服务。但柯克死里逃生回到美国，一方面找寻儿子的下落，另一方面透过亦在作研究的女生埃米·欧文作绝地大反攻。

介绍：Following the success of their feature debut Jennifer’s Shadow (2004) – an exercise in American Gothic set in a scary land called Argentina – Pablo Parés and Daniel de la Vega worked for a US company on a post-mega-disaster wasteland zombie film in which South America had been turned into an all-purpose, all-materials junkyard, with the undead as the last humane entities around (forget about the humans here!).　　The project never materialised, but Diego Parés, Pablo’s brother, started to write and draw a comic series based on the screenplay – which so far remains a ruin, as only parts were finished and published. The ECish beauty and balls of Diego P.’s labour of love have now been congenially transformed by the directorial duo into a delightfully old-(1970s)school low-budget production, closer to Romero and Dante than Fulci and Lenzi. And the IFFR audience is in for the treat of treats they get to see the film and can also enjoy the unfinished comic in an exhibition.