介绍：一个男人由于患上了强迫性神经官能症，生活面临崩溃。可是在这样关键的时刻，他竟然遇上一段意想不到的风流韵事。黑色幽默的故事让观众惊喜连连。 The British indie DIRTY FILTHY LOVE offers a quirky spin on the standard romantic-comedy formula with the tragicomic misadventures of its neurochemically-addled hero. Mark Furness (Michael Sheen) is a thirtysomething architect whose marriage and career are threatened by his increasing obsessive-compulsive disorder and Tourette’s syndrome, which include repetitive and completely involuntary activities such as stair-counting, hand-washing, and swearing. When his wife Stevie (Anastasia Griffith) files for divorce and he loses his job to a subordinate, Mark turns to his doctor for help but instead meets a kindred soul, Charlotte (Shirley Henderson), who immediately diagnoses Mark’s mental disorders and offers him therapy via her own self-help group. The film’s darkly humorous yet poignant tone is carried by Sheen’s nuanced performance and an unsentimental script co-penned by Ian Puleston-Davies, whose own experiences with OCD lend authenticity to the proceedings

介绍：　　69个男人回忆起，当他们听到这句话-“我怀孕了”的反应。男人和女人对于这个反应的解释是两个完全对立的方向。                                                                    　　（他）：调查结果标记了种种他们的回答，无疑，大多数的反应都没能让未来孩子的妈妈，在心中感受到喜悦。每个人都理想化的专注于，他们不必带着焦虑的呼吸，等待着孩子的降临，电影描绘了意大利零人口出生率，意味深长的生动写照。                                                                    　　（她）：调查中的结果显示了预期可预料到的回复：大多数接受调查的人承认，基本上她们的态度仍然是袖手旁观的，待命与男方的。有哪些女人还有追踪她们孩子父亲的希望吗

介绍：《微型死亡》“性爱”+“死亡”三重奏《微型死亡》（Little Deaths）是由三个英格兰的尖端电影制作人开启的一个疯狂的新型恐怖故事，他们分别是：Simon Rumley、Andrew Parkinson和Sean Hogan，而《微型死亡》将于SXSW电影节期间首映。电影《微型死亡》讲述了三个关于“死亡”主题的故事，不过这些都不是单纯的死亡，而是把“性爱”和“死亡”联系在一起的重口味恐怖片

介绍：伊万·麦克格雷格、希罗·弗南德兹、方·基默将主演新片[生日蛋糕](The Birthday Cake，暂译)。故事讲述弗南德兹饰演的乔瓦尼在父亲去世10周年之际，不情愿地延续了给叔叔安吉洛(基默饰)送蛋糕的家庭传统。但乔瓦尼的生活在那天晚上发生了变化，他目睹了一场谋杀，了解了发生在父亲身上的真相。本片是Jim Giannopoulos的导演处女作，根据其的原创故事改编，将于今秋在纽约开拍

介绍：Rainer Werner Fassbinder was probably Germany’s most significant post-war director. His swift and dramatic demise at the early age of 37 in 1982 left behind a vacuum in European filmmaking that has yet to be filled, as well as a body of unique, multi-layered and multifarious work of astonishing consistency and rigour. From 1969 onwards, Danish director and film historian Christian Braad Thomsen maintained a close yet respectfully distanced friendship with Fassbinder. Fassbinder – Lieben ohne zu fordern is based on his personal memories as well as a series of conversations and interviews he held with Fassbinder and his mother Lilo in the 1970s. The film also contains current interviews with Irm Hermann and Harry Baer, both of whom were close to Fassbinder. Beginning with Fassbinder’s extraordinary childhood in traumatised post-war Germany, the film, which is divided into seven chapters, provides an illuminating, intimate and moving tribute that bears witness to the enduring relevance of both the man and his work. Today in particular his oeuvre continues to provoke us to engage with controversy and tension – be it aesthetical, creative or critical. berlianle 201